{"id":14297,"date":"2020-06-15T18:12:15","date_gmt":"2020-06-15T17:12:15","guid":{"rendered":"https:\/\/www.patrickseguin.com\/en\/?page_id=14297"},"modified":"2020-06-15T18:12:15","modified_gmt":"2020-06-15T17:12:15","slug":"jean-prouve-facade-panels-3","status":"publish","type":"page","link":"https:\/\/www.patrickseguin.com\/en\/jean-prouve-facade-panels-3\/","title":{"rendered":"Jean Prouv\u00e9, Facade panels"},"content":{"rendered":"\t\t
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Exhibition \u201cJean Prouv\u00e9, l’\u00e2me du m\u00e9tal\u201d in the Renzo Piano gallery,
Ch\u00e2teau La Coste, France, Nov. 2018-March 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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JEAN PROUV\u00c9 FACADE PANELS
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Exhibition \u2018\u2018Jean Prouv\u00e9 the constructor\u2019\u2019 curated by Contemporary Art Foundation
in collaboration with Galerie Patrick Seguin, featuring the collection of
Yusaku Maezawa and Patrick & Laurence Seguin at the French Embassy
Tokyo, 2016<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The diverse panels from some of JEAN PROUV\u00c9<\/strong>\u2019s most\u00a0 iconic architectural realizations give us a full appreciation\u00a0 of the characteristics of the structural system.
The standardized and combinable panels were devised in numerous versions, some of which could incorporate elements providing comfort such as air vents and\u00a0 portholes.<\/p>\n

Demonstrating the intricate relationship between elements of architecture and his furniture through amongst others their lightness, articulations, mobility and fine-tuning, the facade panels elegantly blend into contemporary interior and thus acquire an almost sculptural quality.<\/p>\n

The featured panels from various projects attest to the variety of these elements.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PANEL FROM A TROPICAL HOUSE, <\/strong>
Brazzaville, Congo, ca. 1949
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The Tropical houses -demountable buildings which diverse elements could be packed into cargo planes and easily assembled- were intended to address the shortage of infrastructures in West Africa. Too expensive and revolutionary for their time, they have remained at the experimental stage and only three houses were shipped: one was installed in Niamey (Niger), two in Brazzaville (Congo). Sun-shutters insured a pleasant temperature despite the semi-arid climate and the facades were complemented with four types of panels: door panels, window panels, full panels and panels with portholes such as this one.
The houses in Brazzaville served as information offices for Studal, a subsidiary of the Aluminium Fran\u00e7ais, and remained in the capital for almost fifty years.<\/p>\n

The emblematic bicolour panels from the Tropical houses in Brazzaville (painted in light beige on the outside, green on the inside) also feature portholes with double glass (with a blue side to protect from the sun, the other being colourless) and air vents with adjustable openings.\u00a0\u00a0<\/p>\n

H. 294.5 x L. 95.5 x D. 5 cm
H. 115.94 x L. 37.6 x D. 1.97 in.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Private collection in Paris<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Private collection in Madrid<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Installation at the gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cI imagined a new way of making architecture, a new way of implementing materials. At a time when only buildings with load bearing walls were constructed, I imagined buildings that were structured in a different way. They comprised a structure in metal or in concrete just as a human skeleton, to which a logical addition had to be added: the envelope. The idea was thus to wrap a light facade around the building\u2026 As we hang it to the \u00a0floor slabs, we assimilated that to a curtain, and we named it: curtain wall.\u201d<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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JEAN PROUV\u00c9
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Installation at the gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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PANEL FROM THE BOUQUEVAL SCHOOL, <\/strong>
Bouqueval, France, 1950
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Taking part in a Ministry of Education competition in 1949, JEAN PROUV\u00c9<\/strong> conceived an industrializable and mass-producible rural school. He saw this brief as the chance to engage in the mass production of inexpensive buildings with a wide range of possible applications.<\/p>\n

In 1950, he is commissioned by the State to produce two school+accommodation prototypes, one in Bouqueval outside Paris, the other in Vantoux near Metz. This led him to hone an earlier system which had already proved itself: a portal frame metal skeleton associated with different kinds of aluminum-sheathed facade panels.<\/p>\n

In keeping with the wood used inside, the metal was gloss painted in \u2018\u2018strong and bright\u2019\u2019 colours following Ministry orders, selected from the ATELIERS JEAN PROUV\u00c9<\/strong>\u2019s usual palette, such as lemon yellow.<\/p>\n

H. 295 x L. 91 x D. 7 cm
H. 9.6 ft. x L. 2.9 ft. x D. 2.76 in.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Private collection in New York<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Exhibition \u201cChamberlain I Prouv\u00e9\u201d at Gagosian Gallery,
New York, 2015<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u00a9 Galerie Patrick Seguin<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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DOOR FROM A M\u00c9TROPOLE HOUSE, <\/strong>
Meudon, France, 1951
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Assembled on a steep land in the experimental city of Meudon in the Parisian suburb, the M\u00e9tropole houses presented a lower section conceived in mansonry while the upper part, dedicated to housing, was made of light modular panels. The M\u00e9tropole houses were the outcome of a reflection first developped by JEAN PROUV\u00c9<\/strong> in 1938 around the portal frame. Reflecting the enduring nature of Jean Prouv\u00e9\u2019s constructional concept, the panels for the house were an extrapolation of the components of the one-piece facade embodying all the opening and closing fixtures.<\/p>\n

Aluminum brought remarkable technical and functional improvements: the frames of the panels comprised special cast alloy sections onto which a thin aluminum sheet was stretched, allowing a double insulation. The other standard aluminum components, such as the ceiling modules and the main door with its pressed portholes, came from the ATELIERS JEAN PROUV\u00c9<\/strong> catalogue.<\/p>\n

The door is characteristic of Prouv\u00e9\u2019s functional approach to design, with its porthole windows and the use of aluminum, one of his preferred materials to work with.<\/p>\n

H. 234 x L. 87.5 x D. 5 cm
H. 92.13 x L. 34.45 x D. 1.97 in.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 Galerie Patrick Seguin<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PANEL FROM THE F\u00c9D\u00c9RATION NATIONALE DU B\u00c2TIMENT, <\/strong>
Paris, France, 1949
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Intending to extend, the F\u00e9d\u00e9ration Nationale du B\u00e2timent entrusted the project to architects Raymond Gravereaux and Raymond Lopez who called on JEAN PROUV\u00c9<\/strong>.<\/p>\n

Prouv\u00e9 mostly intervened on the fa\u00e7ade of the building with panels similar to the ones produced for the M\u00e9tropole houses in Meudon, which frames comprised special cast alloy sections onto which a thin aluminum sheet was stretched. The 126 elements of the five-storey building -already mounted with windows- were made in the Max\u00e9ville factory, delivered by truck then set up at the pace of one floor per day. Each panel was equipped with hooks and bolts and the facade was made of the juxtaposition and layering of several panels of the same type.<\/p>\n

The facade of the building is considered as one of the first example of \u2018\u2018curtain walls\u2019\u2019 in France.\u00a0

H. 299 x L. 145 x D. 13 cm
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Exhibition \u201cAteliers Jean Prouv\u00e9\u201d at MoMA,
New York, 2008-2009<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Exhibition \u201cJean Prouv\u00e9\u201d at the Mus\u00e9e des Beaux-Arts,
Nancy, France, 2012<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PANELS FROM THE CIMT HEADQUARTERS, <\/strong>
Neuilly, France, 1963
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In 1957, JEAN PROUV\u00c9<\/strong> is put in charge of the construction department of the Compagnie Industrielle de Mat\u00e9riel de Transport (CIMT) for which he designed mass-produced lightweight buildings and curtain-facade systems.<\/p>\n

These latter included double-sided pressed aluminum sandwich panels whose several variants lent themselves to numerous different programs. The panels, although of a larger scale -with a height of more than 3 meters and presenting wide windows- only required two men and a simple winch system to be mounted.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Exhibition \u201cJean Prouv\u00e9, l’\u00e2me du m\u00e9tal\u201d in the Renzo Piano gallery, Ch\u00e2teau La Coste, France, 2018-2019,
featuring a panel from the F\u00e9d\u00e9ration Nationale du B\u00e2timent (left) and two panels from the CIMT<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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WINDOW PANEL, 1963<\/strong>
Compagnie Industrielle de Mat\u00e9riel de Transport (CIMT), France<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

H. 276 x L. 120 x D. 6.5 cm
H. 9 ft x L. 3.9 ft. x D. 2.56 in.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tINQUIRE<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

DOOR, 1963<\/strong>
Compagnie Industrielle de Mat\u00e9riel de Transport<\/strong> (CIMT), France<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

H. 257 x L. 119 x D. 13 cm
H. 8.4 ft. x L. 3.9 ft x D. 5.12 in.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tINQUIRE<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Exhibition \u201cJean Prouv\u00e9, l’\u00e2me du m\u00e9tal\u201d in the Renzo Piano gallery,Ch\u00e2teau La Coste, France, Nov. 2018-March 2019 JEAN PROUV\u00c9 FACADE PANELS Exhibition \u2018\u2018Jean Prouv\u00e9 the constructor\u2019\u2019 curated by Contemporary Art Foundation in collaboration with Galerie Patrick Seguin, featuring the collection of Yusaku Maezawa and Patrick & Laurence Seguin at the French EmbassyTokyo, 2016 The diverse […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14297","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nJean Prouv\u00e9, Facade panels - Galerie Patrick Seguin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patrickseguin.com\/en\/jean-prouve-facade-panels-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean Prouv\u00e9, Facade panels - 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