{"id":19927,"date":"2022-11-29T10:23:11","date_gmt":"2022-11-29T09:23:11","guid":{"rendered":"https:\/\/www.patrickseguin.com\/clone\/?page_id=19927"},"modified":"2024-02-26T13:37:28","modified_gmt":"2024-02-26T12:37:28","slug":"designmiami-miami-2022","status":"publish","type":"page","link":"https:\/\/www.patrickseguin.com\/en\/designmiami-miami-2022\/","title":{"rendered":"DesignMiami\/ Miami 2022"},"content":{"rendered":"\t\t
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DesignMiami\/ 2022
<\/strong>29 novembre – 4 d\u00e9cembre, 2022<\/p>\n

Pour sa 16\u00e8me<\/sup> participation \u00e0 DesignMiami\/<\/strong> , la GALERIE PATRICK SEGUIN<\/strong> pr\u00e9sentera une s\u00e9lection de cr\u00e9ations embl\u00e9matiques des auteurs phares du design et des arts d\u00e9coratifs du 20\u00e8me<\/sup> si\u00e8cle que sont JEAN PROUV\u00c9<\/strong>, JEAN ROY\u00c8RE<\/strong>, PIERRE JEANNERET<\/strong>, CHARLOTTE PERRIAND<\/strong> et LE CORBUSIER<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dans une \u00e9l\u00e9gante sc\u00e9nographie, la galerie exposera des meubles et luminaires de JEAN ROY\u00c8RE<\/strong>, dont notamment une rare et d\u00e9licate table basse Tour Eiffel et une paire de ravissants fauteuils \u0152uf, qui t\u00e9moignent de la grande cr\u00e9ativit\u00e9 de leur auteur et de son univers empreint d\u2019\u00e9l\u00e9gance et de po\u00e9sie.<\/p>\n

A l\u2019inverse, soucieux de la coh\u00e9rence entre forme et fonction et excluant tout d\u00e9tail superflu Jean Prouv\u00e9, Charlotte Perriand, Le Corbusier et Pierre Jeanneret ont donn\u00e9 naissance au mobilier et \u00e0 l’architecture moderne pr\u00e9figurant les nouveaux modes de vie qui se g\u00e9n\u00e9ralisent \u00e0 l\u2019aube des ann\u00e9es 50.<\/p>\n

Ainsi, les lignes pures de l\u2019extraordinaire Biblioth\u00e8que de CHARLOTTE PERRIAND<\/strong> ou de son impressionnant Bahut suspendu de 4 m\u00e8tres de long illustrent cet esprit nouveau par leur \u00e9l\u00e9gante simplicit\u00e9. De m\u00eame, les meubles cr\u00e9\u00e9s par Pierre Jeanneret pour Chandigarh, telle que l\u2019imposante Table \u00e9clairante de biblioth\u00e8que ou les d\u00e9sormais embl\u00e9matiques Chaises M\u00e9tropole de Jean Prouv\u00e9, attestent de l\u2019incessante modernit\u00e9 de ces cr\u00e9ations.<\/p>\n

Cr\u00e9ateur de g\u00e9nie polyvalent, JEAN PROUV\u00c9<\/strong> est aussi \u00e0 l\u2019origine de nombreuses architectures d\u00e9montables. L\u2019une d\u2019entre elles, le Bureau d\u2019\u00c9tudes de Max\u00e9ville, con\u00e7ue en 1948, sera \u00e9galement pr\u00e9sent\u00e9e. Une installation permettra aux visiteurs de se plonger dans ce b\u00e2timent avant-gardiste et unique.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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JEAN ROY\u00c8RE<\/strong>
PAIRE D’APPLIQUES FOND PERDU 3 BRAS, CA. 1955<\/strong>
Fer forg\u00e9 patin\u00e9
H. 40 \u00d7 L. 59.5 \u00d7 D. 32.5 cm
H. 15 3<\/sup>\u20444<\/sub> \u00d7 L. 23\u00a01<\/sup>\u20442<\/sub> \u00d7 D. 12\u00a03<\/sup>\u20444<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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JEAN ROY\u00c8RE<\/strong>
LIT CROISILLON, <\/strong>CA. 1955<\/strong>
Ch\u00eane et tissu
H. 80 \u00d7 L. 204 \u00d7 D. 100 cm
H. 31 1<\/sup>\u20442<\/sub> \u00d7 L. 80\u00a03<\/sup>\u20448<\/sub> \u00d7 D. 39\u00a03<\/sup>\u20448<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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JEAN ROY\u00c8RE,
<\/strong>TABLE BASSE TOUR EIFFEL, CA. 1947<\/strong>
Acier, laiton et verre
H. 34 \u00d7 L. 131 \u00d7 D. 55 cm
H. 13\u00a03<\/sup>\u20448<\/sub> \u00d7 L. 51\u00a01<\/sup>\u20442<\/sub> \u00d7 D. 21\u00a0 5<\/sup>\u20448<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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JEAN ROY\u00c8RE<\/strong>
PAIRE DE FAUTEUILS OEUF, CA. 1954<\/strong>
Ch\u00eane et tissu
H. 65 \u00d7 L. 63 \u00d7 D. 69 cm
H. 25\u00a01<\/sup>\u20442<\/sub> \u00d7 L. 24\u00a07<\/sup>\u20448<\/sub> \u00d7 D. 27\u00a01<\/sup>\u20448<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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LE CORBUSIER<\/strong>
\u00c9TAG\u00c8RE, 1956-59<\/strong>
bois
H. 70 \u00d7 L. 70 \u00d7 D. 22 cm
H. 27 1<\/sup>\u20442<\/sub> \u00d7 L. 27 1<\/sup>\u20442<\/sub> \u00d7 D. 8 5<\/sup>\u20448<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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JEAN PROUV\u00c9<\/strong>
BAHUT N\u00b0 150, CA. 1950<\/strong>
T\u00f4le d’acier pli\u00e9e et ch\u00eane
H. 100.5 \u00d7 L. 200.5 \u00d7 D. 45 cm
H. 39 1<\/sup>\u20442<\/sub> \u00d7 L. 79 \u00d7 D. 17 3<\/sup>\u20444<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CHARLOTTE PERRIAND<\/strong>
BIBLIOTH\u00c8QUE, 1958<\/strong>
Merisier et aluminium
H. 205 \u00d7 L. 177 \u00d7 D. 33.5 cm
H. 80 3<\/sup>\u20444<\/sub> \u00d7 L. 69 5<\/sup>\u20448<\/sub> \u00d7 D. 13 1<\/sup>\u20448<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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PIERRE JEANNERET<\/strong>
BUREAU, 1953<\/strong>
Fr\u00eane
H. 72 \u00d7 L. 165 \u00d7 D. 70 cm
H. 28 3<\/sup>\u20448<\/sub> \u00d7 L. 65 \u00d7 D. 27 1<\/sup>\u20442<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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CHARLOTTE PERRIAND <\/strong>
& PIERRE JEANNERET <\/strong>
FAUTEUIL DE BUREAU PIVOTANT, 1953<\/strong>
Fr\u00eane
H. 67 \u00d7 L. 53 \u00d7 D. 47 cm
H. 26 3<\/sup>\u20448<\/sub> \u00d7 L. 20 7<\/sup>\u20448<\/sub> \u00d7 D. 18 1<\/sup>\u20442<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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CHARLOTTE PERRIAND<\/strong>
CHAISE TRIPODE N\u00b0 20, <\/strong>
CA. 1950-51<\/strong>
Fr\u00eane
H. 67.5 \u00d7 L. 38 \u00d7 D. 33.5 cm
H. 26 1<\/sup>\u20442<\/sub> \u00d7 L. 15 \u00d7 D. 13 1<\/sup>\u20448<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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LE CORBUSIER<\/strong>
\u00c9TAG\u00c8RE, 1956-59<\/strong>
bois
H. 70 \u00d7 L. 70 \u00d7 D. 22 cm
H. 27 1<\/sup>\u20442<\/sub> \u00d7 L. 27 1<\/sup>\u20442<\/sub> \u00d7 D. 8 5<\/sup>\u20448<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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JEAN PROUV\u00c9<\/strong>
BAHUT N\u00b0 150, CA. 1950<\/strong>
T\u00f4le d’acier pli\u00e9e et ch\u00eane
H. 100.5 \u00d7 L. 200.5 \u00d7 D. 45 cm
H. 39 1<\/sup>\u20442<\/sub> \u00d7 L. 79 \u00d7 D. 17 3<\/sup>\u20444<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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PIERRE JEANNERET, TABLE DE LECTURE \u00c9CLAIRANTE, CA. 1963-64<\/strong>
Teck, verre et m\u00e9tal
H. 104 \u00d7 L. 247 \u00d7 D. 125 cm
H. 41 \u00d7 L. 97 1<\/sup>\u20444<\/sub> \u00d7 D. 49 1<\/sup>\u20444<\/sub> in.<\/p>\n

Provenance: Palais de l\u2019assembl\u00e9e et biblioth\u00e8que du Penjab, Chandigarh, Inde<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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JEAN PROUV\u00c9<\/strong>
CHAISE METROPOLE N\u00b0 305, <\/strong>
ca. 1950<\/strong>
T\u00f4le d’acier pli\u00e9e et contreplaqu\u00e9 moul\u00e9
H. 80.5 \u00d7 L. 41.5 \u00d7 D. 48.5 cm
H. 31 3<\/sup>\u20444<\/sub> \u00d7 L. 16 3<\/sup>\u20448<\/sub> \u00d7 D. 19 in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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JEAN PROUV\u00c9<\/strong>
POTENCE D’\u00c9CLAIRAGE, CA. 1950<\/strong>
Tube, t\u00f4le et fil d’acier
H. 28 \u00d7 L. 230 cm
H. 11 \u00d7 L. 90 1<\/sup>\u20442<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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PIERRE JEANNERET & LE CORBUSIER
SOFA SET VISITOR HIGH COURT, 1955-56<\/strong>
Teck & peau
H. 73 x L. 160 x D. 83 cm
H. 28 3<\/sup>\u20444<\/sub> x L. 63 x D. 32 5<\/sup>\u20448<\/sub>
Armchairs
H. 74 x L. 73 x D. 83 cm
H. 29 1<\/sup>\u20448<\/sub> x L. 28 3<\/sup>\u20444<\/sub> x D. 32 5<\/sup>\u20448<\/sub> in.<\/p>\n

Provenance: High Court &
University of Punjab,
Chandigarh, India<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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JEAN PROUV\u00c9<\/strong>
GUERIDON BAS n\u00b0 402, <\/strong>CA. 1950<\/strong>
T\u00f4le d’acier pli\u00e9e et noyer
H. 35.5 \u00d7 \u00f8 90 cm
H. 14 \u00d7 \u00f8 35 1<\/sup>\u20442<\/sub> in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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CHARLOTTE PERRIAND<\/strong>
TABOURET, CA. 1955<\/strong>
Bois
H. 27 \u00d7 \u00f8 33 cm
H. 10 5<\/sup>\u20448<\/sub> \u00d7 \u00f8 13 in.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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JEAN PROUV\u00c9<\/strong>
BUREAU D’\u00c9TUDES MAX\u00c9VILLE, 1948<\/strong>
M\u00e9tal, bois et verre
8 x 12 m
26\u20193 x 39\u20194 ft <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

DesignMiami\/ 202229 novembre – 4 d\u00e9cembre, 2022 Pour sa 16\u00e8me participation \u00e0 DesignMiami\/ , la GALERIE PATRICK SEGUIN pr\u00e9sentera une s\u00e9lection de cr\u00e9ations embl\u00e9matiques des auteurs phares du design et des arts d\u00e9coratifs du 20\u00e8me si\u00e8cle que sont JEAN PROUV\u00c9, JEAN ROY\u00c8RE, PIERRE JEANNERET, CHARLOTTE PERRIAND et LE CORBUSIER. Dans une \u00e9l\u00e9gante sc\u00e9nographie, la galerie […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-19927","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nDesignMiami\/ Miami 2022 - Galerie Patrick Seguin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patrickseguin.com\/en\/designmiami-miami-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DesignMiami\/ Miami 2022 - Galerie Patrick Seguin\" \/>\n<meta property=\"og:description\" content=\"DesignMiami\/ 202229 novembre – 4 d\u00e9cembre, 2022 Pour sa 16\u00e8me participation \u00e0 DesignMiami\/ , la GALERIE PATRICK SEGUIN pr\u00e9sentera une s\u00e9lection de cr\u00e9ations embl\u00e9matiques des auteurs phares du design et des arts d\u00e9coratifs du 20\u00e8me si\u00e8cle que sont JEAN PROUV\u00c9, JEAN ROY\u00c8RE, PIERRE JEANNERET, CHARLOTTE PERRIAND et LE CORBUSIER. 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