{"id":36580,"date":"2016-02-18T17:02:50","date_gmt":"2016-02-18T16:02:50","guid":{"rendered":"https:\/\/www.patrickseguin.com\/cv-charlotte-perriand-2\/"},"modified":"2025-07-24T13:23:29","modified_gmt":"2025-07-24T12:23:29","slug":"cv-charlotte-perriand-2","status":"publish","type":"page","link":"https:\/\/www.patrickseguin.com\/en\/cv-charlotte-perriand-2\/","title":{"rendered":"cv-charlotte-perriand"},"content":{"rendered":"

1903<\/strong>
\nCharlotte Perriand born in Paris on October 24.<\/p>\n

1920-1925<\/strong>
\nAccepted with a scholarship at the Union Centrale des Arts D\u00e9coratifs school.
\nIn the meanwhile:
\n\u2013 followed the teaching of Maurice Dufr\u00e8ne, Artistic director of the Galeries Lafayette school
\n\u2013 at the Grande Chaumi\u00e8re; also followed the teaching of Bernard Boutet de Monvel
\n\u2013 appeared at Andr\u00e9 Lh\u00f4te\u2019s atelier
\n\u2013 regularly made animal sketches at the Jardin des Plantes zoological garden.<\/p>\n

1925<\/strong>
\nAt the International Exhibition of Arts she presented, within the framework of the Union Centrale school:
\n\u2013 a project, called Eupalinos or The Architect, after the work by Paul Val\u00e9ry, carried out by the bookbinding workshop
\n\u2013 a fresco, the Nine Muses, intended for a Music Room
\n\u2013 a wrought iron gate
\n\u2013 at Maurice Dufr\u00e8ne\u2019s stand, soft furnishings edited by Galeries Lafayette.<\/p>\n

1926<\/strong>
\nDecorative Artists Exhibition \u2013 Living room corner.<\/p>\n

1927<\/strong>
\nDecorative Artists Exhibition \u2013 set of silverware and lighting fixtures.
\nWas appointed active member.
\nBeginning of research and completion of metal furniture and lighting fixtures.
\nInfluence of the mechanization era: coach-building design, bicycle, ball bearings. She broke off completely with conventional Decorative Art. Found a studio on Place Saint-Sulpice, which she laid out anew: bar, dining room \u2013 this being presented at the Salon d\u2019Automne and the Decorative Artists Exhibition.
\nAt the Salon d\u2019Automne \u2013 the bar in the garret, chromed steel and anodized aluminum.
\nFull membership \u2013 Praised by journalists.<\/p>\n

1928<\/strong>
\nAt the Salon des artistes d\u00e9corateurs
\nFormed a small avant-garde group with Ren\u00e9 Herbst and Jo Bourgeois, including jewelry showcases by Jean Fouquet and G\u00e9rard Sandoz, silverware by Jean Puiforcat, and wine-tasting glasses for the Nicolas stores.
\nExhibited her 1928 Dining room: Extensible table, swivel seats, chromed tubing structures.<\/p>\n

1927-1937<\/strong>
\nAt the Le Corbusier-Pierre Jeanneret studio, rue de S\u00e8vres, she took part in the various projects
\nas a student of architecture, and worked as an associate in charge of furniture.
\nNoteworthy are the following:
\n1928, Fittings for Villa Laroche,
\n1928-1929, Villa Church at Ville-d\u2019Avray,
\n1929, Preparation of the \u201cHouse fittings\u201d section for the Decorative Artists Exhibition. Asked for a group stand, renewing and widening the 1928 avant-garde group idea. This was refused by the Decorative Artists Committee. Charlotte Perriand then resigned, followed by the whole group, who later founded the Union of Modern Artists (\u201cUnion des artistes modernes\u201d: UAM).<\/p>\n

1929<\/strong>
\nAt the Salon d\u2019Automne.
\nLe Corbusier, Pierre Jeanneret, Charlotte Perriand presented: House fittings, sets of compartments, seats, tables. This furniture was later edited by Thonet, with each piece once sold bearing an identification symbol which read \u201cThonet-Le Corbusier-Pierre Jeanneret-Charlotte Perriand\u201d.<\/p>\n

1930<\/strong>
\nOfficial creation of the Union des artistes modernes: UAM.
\nFirst exhibition in June at the Mus\u00e9e des Arts D\u00e9coratifs, with designers from all spheres of activity, from architecture to objects.
\nLaying-out of the Editor\u2019s office, La Semaine, Paris.
\nCharlotte Perriand fitted out a music room for Jean Rivier, a composer.
\nShe left her studio on place Saint-Sulpice to settle in the Boulevard du Montparnasse.<\/p>\n

1931<\/strong>
\nExhibition in Cologne: Le Corbusier, Pierre Jeanneret, Charlotte Perriand presented a diorama of the Plan Voisin with various furniture elements: chaise longue, sets of compartments placed on a carpet-manifesto.
\nAt the same time, she joined the AEAR (Association of Revolutionary Students and Artists; Secretary-General: Jean Nicolas, an Ecole Boulle alumnus).<\/p>\n

1930-1933<\/strong>
\nTravel to the USSR. Visited the building site of Centrosoyus, the Central Cooperatives Bureau in Moscow.<\/p>\n

1932-1937<\/strong>
\nPreliminaries to the 1937 International Exhibition.
\nAs early as 1932, Le Corbusier suggested as a program an international exhibition on habitat, opening an era of large-scale work \u00e0 la Haussmann, as a first section of the great East-West \u201cbackbone\u201d of Parisian urban design. This program was never implemented.
\nFrom 1935 to 1936, Charlotte Perriand carried out studies and research work in view of a group action involving all members of CIAM and UAM, mentioning the sites and nature of their participation.
\n\u2013 For the Kellerman bastion in the fortifications of Paris, a project for a Dwelling Unit (\u201cUnit\u00e9 d\u2019habitation\u201d) to be built by Le Corbusier and co-workers;
\n\u2013 Project for a House of Young Artists and Technicians: \u201cYouth 37 Project\u00bb;
\n\u2013 The \u201cBazar\u00bb: Francis Jourdain wanted to take stock of daily items on the market, by selecting the most interesting ones.
\nThese projects were not implemented \u2013 they were not taken into account by the curators in charge of the 1937 exhibition.<\/p>\n

1933<\/strong>
\nParticipated in the IVth Congress of CIAM on board the Patrix II, between Athens and Marseilles; on the following theme: \u201cTowards a functional city \u201d.<\/p>\n

1935<\/strong>
\nAt the Brussels International Exhibition.
\nMaurice Dufr\u00e8ne, in charge of the French section, gave Louis Sognot, Ren\u00e9 Herbst & Charlotte Perriand the necessary funds for the presentation of the House of the Young Man. They agreed to work as a group within an \u201cexploded\u201d architecture.
\n\u2013 Bathroom & Bedroom: Louis Sognot.
\n\u2013 Physical training room with a fresco by Fernand L\u00e9ger: Ren\u00e9 Herbst.
\n\u2013 Study room: Charlotte Perriand, Le Corbusier, Pierre Jeanneret.<\/p>\n

1936<\/strong>
\nIn a magazine, \u201cVendredi\u201d, launched by Andr\u00e9 Chamson, \u201cA Free Press for Free Men\u201d, an interview with Charlotte Perriand, questioned by the general public \u201cThe Housewife and her home\u201d: practical hints, text & drawings.
\nAt the Salon des arts m\u00e9nagers (Modern Homes Exhibition). III Exhibition on the subject of Dwellings, organized by \u201cl\u2019Architecture d\u2019aujourd\u2019hui\u201d. Demonstration with contemporary dwellings, with A. Hermant, M. Barret, F.P. Jourdain, A. Louis, J.P. Sabatou, P. Vago. Charlotte Perriand presented a living room with a selection of Flambo metal filing cabinets, to which she added seats and tables of her own creation, as well as a photomontage on poverty in Paris.
\nIn the meanwhile she carried on various research works on: family hostels, mountain hotels, week-end houses.
\nAt the Ministry of Agriculture: waiting room for the Office of the Cabinet Minister, Georges Monnet, who asked her to combine and express graphically, for that room, statistics concerning the most important problems facing agriculture, and to highlight the main points of the Popular Front\u2019s agricultural platform.<\/p>\n

1937 <\/strong>
\nWithin the International Exhibition, the UAM obtained its own area, & built its pavilion, wherein:
\n\u2013 Le Corbusier, Pierre Jeanneret, Charlotte Perriand presented a prototype for a sanitary cabin, intended for hotels and manufactured by Jacob Delafon;
\n\u2013 Charlotte Perriand, Pierre Jeanneret, Andr\u00e9 Tournon, engineer, presented: the Refuge bivouac with l\u2019Aluminium fran\u00e7ais, within the framework of high mountains equipments, as a reaction against the Refuge Vallot.
\n\u2013 Charlotte Perriand presented several collapsible or combinatory seats. At the Porte Maillot, on an area devoted to agriculture, Georges Monnet greeted the new program presented by Le Corbusier \u2013 Pierre Jeanneret \u201cLe Pavillon des Temps nouveaux\u201d ; a large canvas tent accommodating the program: Dwelling & Leisure, as well as the Vth CIAM Congress.
\nAt the Porte Maillot, near the Temps nouveaux pavilion, together with Fernand L\u00e9ger, Charlotte Perriand illustrated the platform of the Ministry of Agriculture, using panels arranged on an outdoor structure built by H. Pacon and M. Detourbet, architects.
\nCharlotte Perriand ended her collaboration with the Le Corbusier studio.<\/p>\n

1936-1938<\/strong>
\nResearch and Raw Art (\u201cArt Brut\u201d) photographs with Pierre Jeanneret and Fernand L\u00e9ger.<\/p>\n

1938<\/strong>
\nFirst formed tables: a dining room table made of fir beams from the Pavillon des Temps Nouveaux.<\/p>\n

1939<\/strong>
\nHotel extension in the Saint-Nicolas-de-V\u00e9roce valley.
\nExperimental setting up of the \u201cRefuge bivouac\u201d on the Mont Joly ridge, department of Haute-Savoie.
\nStudy for a mountain hotel in the new winter sports resort of M\u00e9ribel-les-Allues.<\/p>\n

1940<\/strong>
\nTogether with Jean Prouv\u00e9, Pierre Jeanneret, Georges Blanchon, creation of an office, in the rue Las-Cases, for the study of prefabricated buildings for l\u2019Aluminium Fran\u00e7ais.
\nFebruary 8, invited by the Ministry of Commerce and Industry of Japan, as an arts and crafts expert.
\nJune 14, she sailed off Marseilles on the Hakusan-Maru.
\nAugust 22, arrival in Tokyo after a long detour through South Africa.<\/p>\n

1940-1941<\/strong>
\nResided in F.L. Wright\u2019s Imperial Hotel in Tokyo. Her duty: to act as an adviser on the production of arts and crafts.
\nMarch 1941 in Tokyo, May 1941 in Osaka.
\nOpening of the \u201cTradition, selection, creation\u201d exhibition in the Takashimaya department stores, under the patronage of the Ministry of Commerce and Industry, and of the French Embassy.<\/p>\n

1942<\/strong>
\nWrote, together with J. Sakakura, her book entitled \u00ab Contact with Japan \u00bb, which summarizes and illustrates the various themes of her exhibition.<\/p>\n

1943-1946<\/strong>
\nLeft Japan to stay in Indochina.
\nAugust 15, 1945: surrender of Japan.
\nFebruary 1946, departure for France on board a cargo boat for refugees.
\nApril 1946, Paris, resumed her activities.<\/p>\n

1946-1949<\/strong>
\nAt M\u00e9ribel-les-Allues, resumed study on the resort on a renewed basis. Paul Grillo and Christian Durupt, architects.<\/p>\n

1947<\/strong>
\nAt the International Exhibition of Urban Planning and Dwelling in the Grand Palais, fittings for a Minimum Family House, with P. Nelson, R. Gilbert, CH. Sebillote; architects.
\nAt Paul Nelson\u2019s study, participation in the project for the Saint-L\u00f4 Memorial Hospital.<\/p>\n

1948<\/strong>
\nStudies and standardization for a domestic storage unit: the drawer and its accessories, patented in several materials: metal, plastics \u2026<\/p>\n

1949<\/strong>
\nAt the Mus\u00e9e des Arts D\u00e9coratifs, the members of UAM carried out Francis Jourdain\u2019s Le Bazar project, as opposed to usual Exhibition practice.<\/p>\n

1950<\/strong>
\nFor Le Corbusier\u2019s Dwelling Unit in Marseilles: study and manufacture of a prototype kitchen.
\nAt the Modern Homes Exhibition (\u201cSalon des arts m\u00e9nagers\u201d), Dwelling section, presentation of a model cell for Le Corbusier\u2019s Dwelling Unit, in Marseilles: Charlotte Perriand in charge of furniture & fittings.
\n1950, Special issue of the journal Techniques et Architecture: \u201cArt d\u2019habiter\u201d (The Art of Dwelling\u201d).<\/p>\n

1951<\/strong>
\nAt the Modern Homes Exhibition: fittings for a prototype intended for a building in Toulon: Jean de Mailly, architect. IXth Milan Triennal Exhibition, Useful Forms & Fittings section. French participation headed by Charlotte Perriand.<\/p>\n

1952<\/strong>
\nAt the Modern Homes Exhibition, Useful Forms section: exhibition of a Toilet cum shower & bath set.
\nAt the House of Tunisia, in the International Students\u2019 Residence, Jean Sebag, architect; the Espace group, founded by Andr\u00e9 Bloc, tried a synthesis between Architecture, Fittings, and Plastic arts. Painters such as Nicolas Sch\u00f6ffer, Sonia Delaunay, took part in this venture; through a dialogue with them Charlotte Perriand fitted out a student\u2019s room.
\nStudy and creation of toilets with Jean Borot: top-hung toilet ramp; bidet.
\nFittings for the Air France building in Brazzaville. Charlotte Perriand worked together with the Jean Prouv\u00e9 study, in Nancy.<\/p>\n

1953<\/strong>
\nThe Student\u2019s House in Paris (Lagneau & Weill, architects), creation of various fittings, including a study; tables elaborated with Jean Prouv\u00e9 and A. Salomon, lighting engineer.
\nH\u00f4tel de France in Conakry (Lagneau & Weill, architects). Fittings by Charlotte Perriand and Jean Prouv\u00e9.<\/p>\n

1955<\/strong>
\n\u201cSynth\u00e8se des arts\u201d Exhibition in Tokyo \u2013 with the collaboration of J. Sakakura and Martha Villiger.<\/p>\n

1957<\/strong>
\nAt the Modern Homes Exhibition, a synthesis of the traditional Japanese \u201cArt of Dwelling\u201d.
\nSelection of items made by the Takashimaya department stores, in collaboration with J. Sakakura and Sori Yanagi.
\nJapanese House created by Ren Suzuki with the help of \u201cElle\u201d magazine.
\nThis event was organized under the patronage of the French Ministry of Education and the Japanese Embassy in Paris.<\/p>\n

1958<\/strong>
\nThe House of the Sahara, within the Modern Homes Exhibition, a project intended for the oil industry. Charlotte Perriand, Jean Prouv\u00e9, Lagneau, Weill, Kowalsky, architects.<\/p>\n

1959<\/strong>
\nFittings for rooms and public spaces of the House of Brazil at the International Students Residence by Le Corbusier and Lucio Costa. In collaboration with the Steph Simon Gallery.
\nRenovation of Jean and Huguette Borot\u2019s house, in Montmartre, with Henri Prouv\u00e9, architect.
\nAir France Tokyo branch building, with J. Sakakura and Ren Suzuki.<\/p>\n

1960<\/strong>
\nChalet at M\u00e9ribel-les-Allues, Savoie.
\nFrench Tourist Office, London, with Erno Goldfinger, architect.<\/p>\n

1962<\/strong>
\nIndividual flat in Rio in collaboration with Maria Elisa Costa, architect.
\nContest for the equipment of three winter sports resorts in the Vall\u00e9e des Bellevilles, Savoie \u2013 Ch. Perriand, J. Prouv\u00e9, Candilis, Wood, Josic.<\/p>\n

1964<\/strong>
\nDirect agreement between Fondation Le Corbusier and Cassina for the exclusive edition of 1929 creations by Le Corbusier \u2013 P. Jeanneret \u2013 Ch. Perriand.<\/p>\n

1965<\/strong>
\nAt the Mus\u00e9e National d\u2019Art Moderne in Paris, furniture items for the presentation of publications by the R\u00e9union des Mus\u00e9es Nationaux, reception desk and museum cashdesks, in collaboration with Pierre Faucheux.<\/p>\n

1966<\/strong>
\nResidence of the Japanese Ambassador in Paris. J. Sakakura, Riedberger, architects.<\/p>\n

1959-1970<\/strong>
\nUnited Nations Council in Geneva for the modernization of Conference rooms and of the great Assembly room. Beaudouin & Carlu, architects.<\/p>\n

1966-1968<\/strong>
\nConsultant for the regional Fine Arts & Applied Arts School in Besan\u00e7on.<\/p>\n

1968<\/strong>
\nParticipation in an international conference organized by UNESCO in Kyoto: \u201cThe Japanese contribution to Contemporary Arts. The relationship between Japanese and Western Art: Architecture, Literature, Music, Theater\u201d.<\/p>\n

1970<\/strong>
\nRestructuring of a flat in Paris.<\/p>\n

1967-1982<\/strong>
\nLaunching and building of Les Arcs resort, in Savoie. Inauguration of the first bed for Christmas, 1968. 18,000 beds, built January 1st, 1982 distributed between three resorts at 5,250, 5,900 and 6,600 feet above sea level, out of a programmed total of 30,000 beds.
\nCreator, developer and operator: Roger Godino, a former Ecole Polytechnique alumnus, founder and Dean of the Faculty, European Institute of Business Administration in Fontainebleau. Charlotte Perriand was entrusted with the setting up of a Technical Research Department in Architecture and Engineering, which she was to lead during the fourteen years between 1967 and 1982.
\nThis department was subdivided into several branches:
\n\u2013 The Mountain Architecture Study Group, in Chamb\u00e9ry, headed by R. Regairaz, G. Rey-Millet and A. Bardet.
\nThis group, which had carried out overall location studies, working with Robert Blanc and Emile Allais, brought to bear its long historical experience of mountain resort building, notably with Pradelle at Courchevel.
\n\u2013 The Faucheux, Taves, Rebuto group, which was introduced into the project by Charlotte Perriand, especially on the basis of their former work with Le Corbusier. Its members were to bring about a renewal of the architectural spirit.
\n\u2013 Bernard Taillefer, a former carpenter from Val-d\u2019Is\u00e8re, a self-taught man become architect after his achievements at Les Arcs.
\nHe contributed a new and reliable way of treating space with wood, his favorite material. Moreover, Jacqueline Eberhard, from Paris, and R. Boulet, from Moutiers, were to intervene on some programs, and Jean Prouv\u00e9 accepted to give precious advice at various intervals.
\nD\u00e8s 1600\u201d, an agency created by Arc Mobilier for the furnishing of studio apartments to let, and, through its retail outlets, for offering the public a supplement in the form of original items.
\nInvestigation and selection by Charlotte Perriand.<\/p>\n

1983<\/strong>
\nDecember, participation in a mission to China headed by Godino in Beijing and Jilin (Manchuria) for the equipment of a winter sports resort.
\nDialogue on Architecture in China with local engineers and architects.<\/p>\n

1983-1984<\/strong>
\nPresided the Jury at the International Contest for the creation of new office furniture, organized by the French Ministry of Culture.<\/p>\n

1984<\/strong>
\nRetrospective at the Mus\u00e9e des Arts D\u00e9coratifs, entitled “Charlotte Perriand: an Art of Living”.<\/p>\n

1999<\/strong>
\nOctober, 27: death in Paris aged 96.<\/p>\n","protected":false},"excerpt":{"rendered":"

1903 Charlotte Perriand born in Paris on October 24. 1920-1925 Accepted with a scholarship at the Union Centrale des Arts D\u00e9coratifs school. In the meanwhile: \u2013 followed the teaching of Maurice Dufr\u00e8ne, Artistic director of the Galeries Lafayette school \u2013 at the Grande Chaumi\u00e8re; also followed the teaching of Bernard Boutet de Monvel \u2013 appeared […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-36580","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nInventory and Biography of Charlotte Perriand<\/title>\n<meta name=\"description\" content=\"Inventory of furniture available at Galerie Patrick Seguin and detailed biography of Charlotte Perriand\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patrickseguin.com\/en\/cv-charlotte-perriand-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" 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